對「人群與城市」的觀察，是我在大學的主要創作脈絡，大學四年中，我常帶著相機在台北市四處遊走，尋找人在環境中留下的痕跡。可能是孩童的塗鴉、撕掉一半的海報、或是不堪入目的髒亂，我藉由相機記錄下這些影像，分類、整理，成為創作素材。從一開始的形式探究，到變形、扭曲、以及自我意識的加入，「我」在作品中逐漸顯露出來，融入失落、盼望的投射，或是其他無以言狀的感動，逐漸顯露的主觀情感發展成為一些抽象作品。2006 年後開始進行的「都市毀滅」系列，加入了台灣都市生態(urban ecology)的閱讀心得，也加入更多對人為環境的批判。
My past creation was centered in the subjects of the “City”. During my four years in university, I wandered around Taipei to take pictures of traces which humans left in the city, such as children’s handwriting, torn posters, and the chaos of dark tunnels. I integrated these fragments with the computer to form new images. From the beginning, I deformed, twisted and tore the fragments to try the possibility of images. Then, my self-consciousness and emotional projection such as hopes and remembrances were added into my works. More and more subjective affections progressively led to abstract works. After 2005, I started creating the series of “City in Armageddon (2005-2006)”. It was an expression of my comments about the urban ecology in Taiwan and the critiques of man-made space.
